NEW Liquitex Soft Body Acrylic 59ml Bottles

• Colour Code: 116
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PR202 • PR206

A highly transparent vivid red with a blue undertone. This is a mixed pigment hue - a recreation of true alizarin crimson pigment, which doesn’t offer the required lightfastness for artists. Alizarin crimson was first used as a dye obtained from the roots of the madder plant by the ancient Egyptians.

• Colour Code: 660
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB15 • PG7 • PW6

An opaque vivid green-blue colour made with a mix of phthalocyanine blue, titanium white and phthalocyanine green (blue shade).

• Colour Code: 570
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB15:3 • PG7 • PW6

A bright sky blue opaque colour made with a blend of three pigments - phthalocyanine blue, phthalocyanine green and titanium white.

• Colour Code: 590
• Series: 1
• Lightfastness Rating: Very Good
• Transparency: Opaque
• Pigment: PV23RS • PW6

A sheer blue-purple made up of two pigments - dioxazine and titanium white.

• Colour Code: 840
• Series: 1
• Lightfastness Rating: Very Good
• Transparency: Semi Opaque
• Pigment: PG7 • PW6 • PY3 • PY97

A pale green-yellow semi-opaque colour, made up of four pigments - phthalocyanine, two types of hansa yellow and titanium white.

• Colour Code: 505
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBk11 • PR101 • PY42

An earthy green-brown opaque colour, made with three pigments - yellow iron oxide, red iron oxide and Mars black.

• Colour Code: 127
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBr7

A rich warm brown single pigment colour made by burning raw sienna. Sienna is a natural yellow clay found in the earth and deepens in colour when heated. It's one of the oldest pigments in its natural state and can be found in prehistoric cave art. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a opaque colour with red-brown tones.

• Colour Code: 128
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBr7

A rich dark brown single pigment colour. Burnt umber is made from natural brown clays found in the earth and is named after Umbria, a region in Italy where it was first mined. Burning the raw pigment intensifies its colour.

• Colour Code: 892
• Series: 4
• Lightfastness Rating: Excellent
• Transparency: Opaque

A cadmium-free opaque yellow-orange with high tinting strength and good covering abilities. This replicates the brightness, coverage and intensity of traditional Cadmium Orange.

• Colour Code: 895
• Series: 4
• Lightfastness Rating: Excellent
• Transparency: Opaque

A cadmium-free opaque deep blue-red with high tinting strength. This replicates the brightness, coverage and intensity of traditional cadmium red colours.

• Colour Code: 893 
• Series: 5
• Lightfastness Rating: Excellent
• Transparency: Opaque

A cadmium-free opaque light red with orange tones and a high tinting strength. This replicates the brightness, coverage and intensity of traditional Cadmium Red Light.

• Colour Code: 894
• Series: 5
• Lightfastness Rating: Excellent
• Transparency: Opaque

A cadmium-free opaque mid red-orange with high tinting strength. This replicates the brightness, coverage and intensity of traditional Cadmium Red Medium.

• Colour Code: 891
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Opaque

A cadmium-free deep yellow opaque colour with orange tones and excellent tinting properties. This replicates the brightness, coverage and intensity of the traditional cadmium alternative.

• Colour Code: 889
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Opaque

A cadmium-free bright yellow opaque colour with excellent tinting properties. This replicates the brightness, coverage and intensity of the traditional cadmium alternative.

• Colour Code: 890
• Series: 3
• Lightfastness Rating: Excellent 
• Transparency: Opaque

A cadmium-free mid-range yellow opaque colour with excellent tinting properties. This replicates the brightness, coverage and intensity of the traditional cadmium alternative.

• Colour Code: 164
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB36

This is a single pigment, opaque rich blue with green undertones. Its name derives from the Latin caeruleum meaning sky-blue pigment and was originally made in the 19th century by mixing cobalt blue with tin oxide. It is essentially a tint of cobalt blue.

• Colour Code: 470
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB15:3 • PB29 • PG7 • PW6

This is a rich blue opaque colour with green undertones. Its name derives from the Latin caeruleum meaning sky-blue pigment, and is a careful combination of pigments closely resembling genuine cerulean blue.

• Colour Code: 166
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PG17

An opaque willow green single pigment colour. Discovered in 1809, it was only made available for artists in 1862, and is now commonly used for camouflage clothing.

• Colour Code: 170
• Series: 4
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB28

A clean blue single pigment. It was discovered in 1802 by French chemist Louis Thnard as an alternative to the expensive lapis lazuli blue pigment.

• Colour Code: 381
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB29 • PW6

A bright blue with green undertones. It is a careful combination of pigments closely resembling genuine cerulean blue.

• Colour Code: 172
• Series: 4
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PG50

A single pigment opaque bright blue green, named after the semi-precious stone that was exported to Europe from Persia via Turkey.

• Colour Code: 169
• Series: 4
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB36

An opaque deep blue green, named after the semi-precious stone that was exported to Europe from Persia via Turkey.

• Colour Code: 300
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Semi Opaque
• Pigment: PR122 • PV19 • PW6

A rich red-purple colour which is semi-opaque and made of multiple pigments. The name magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy

• Colour Code: 186
• Series: 2
• Lightfastness Rating: Very Good
• Transparency: Transparent
• Pigment: PV23RS

A vivid mid-shade purple which is highly transparent. It is made from a coal tar pigment and when undiluted, can be used as a deep black.

• Colour Code: 450
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PG7 • PW6 • PY97

A vibrant green-blue opaque colour. This recreates the true gem pigment which was popular with artists including Picasso, but phased out due to safety issues in the second half of the twentieth century.

• Colour Code: 984
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque

A vivid mid blue colour made with polymer coated dyes to give instant fluorescence.

• Colour Code: 985
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque

A vivid mid range green made with polymer coated dyes to give instant fluorescence.

• Colour Code: 982
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque

A vivid mid range orange made with polymer coated dyes to give instant fluorescence.

• Colour Code: 987
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque

A vivid mid range pink made with polymer coated dyes to give instant fluorescence.

• Colour Code: 983
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque

A vivid mid range red colour made with polymer coated dyes to give instant fluorescence.

• Colour Code: 981
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque

A vivid mid range yellow colour made with polymer coated dyes to give instant fluorescence.

• Colour Code: 350
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PG7 • PW6 • PY97

A deep green-blue colour, made up of multiple pigments, with a high level of opacity.

• Colour Code: 325
• Series: 4
• Lightfastness Rating: Not ATSM Rated
• Transparency: Transparent
• Pigment: PY129

A transparent rich gold yellow single pigment colour with a green tone.

• Colour Code: 225
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Semi-Opaque
• Pigment: PG7 • PY110

A rich dark green semi-opaque colour with a yellow tint. A mixed pigment hue, the original Hooker's green pigment was created by 19th century English botanist and illustrator William J Hooker.

• Colour Code: 224
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Semi Opaque
• Pigment: PG7 • PY110

A rich dark green semi-opaque colour with a yellow tint. A mixed pigment hue, the original Hooker's green pigment was created by 19th century English botanist and illustrator William J Hooker.

• Colour Code: 322
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PB60

A clean deep blue, transparent, single pigment colour. It is a modern organic pigment, patented in 1901.

• Colour Code: 324
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent 
• Pigment: PY139

A clear, deep and luminescent yellow single pigment colour. It is a synthetic, organic pigment which gives excellent transparent glazes. The original pigment was first used by Dutch artists but has not been available since the 1920s and it's origins have always been surrounded in mystery and debate.

• Colour Code: 237
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque
• Pigment: Mica

A semi-opaque metallic colour that gives an iridescent lustre resembling that of antique gold.

• Colour Code: 234
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque
• Pigment: Mica

A metallic brilliant gold. Semi-opaque, the colour gives a bright iridescent lustre resembling that of polished gold metal.

• Colour Code: 236
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque
• Pigment: Mica

A brilliant metallic silver. Semi-opaque, the colour has a gleaming reflective lustre closely resembling polished silver metal.

• Colour Code: 229
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Opaque
• Pigment: Mica

A warm metallic bronze with pink-orange tones. Highly opaque, the colour gives an iridescent lustre resembling that of burnished bronze metal.

• Colour Code: 230
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Opaque
• Pigment: Mica

A deep metallic copper with brown-orange tones. Highly opaque, the colour gives an iridescent lustre resembling that of burnished copper metal.

• Colour Code: 235
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque
• Pigment: Mica

A metallic warm gold. Semi-opaque, the colour gives an iridescent lustre resembling that of burnished gold metal.

• Colour Code: 239
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Opaque
• Pigment: PBk11 • PW14

A warm metallic silver. Highly opaque, the colour has a reflective lustre closely resembling aged silver metal.

• Colour Code: 238
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque
• Pigment: Mica

A cool pearlescent white. Semi-opaque, the colour has a reflective lustre with silver facets. The pearlescent effect is most effective when mixed with transparent colours and even more effective laid over a dark background.

• Colour Code: 244
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBk9

A stable all-round single pigment black with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining the pigment: roasting ivory. This was a favorite colour of many of the Old Masters including Rembrandt.

• Colour Code: 770
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB15 • PG7 • PW6

An opaque light blue colour made with a mix of phthalocyanine pigments and titanium white.

• Colour Code: 680
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB29 • PW6

A blend of ultramarine blue and titanium white pigments, this is a vibrant mid blue which is highly opaque.

• Colour Code: 312
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PG7 • PW6 • PY97

A light and vibrant green-yellow opaque colour, made up of a number of pigments including phthalocyanine green.

• Colour Code: 810
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PO36 • PR188 • PW6

A pale and soft pink with a yellow tinge. This is an opaque colour made up of multiple pigments. Note: You may receive product with the previous colour name, Light Portrait Pink, on the packaging as inventory shifts. The formulation of the colour remains the same.

• Colour Code: 276
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBk11

A dense opaque single pigment, with a brown undertone. It is made from mineral iron oxide and is named after the alchemical name for iron: Mars.

• Colour Code: 500
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PR122 • PW6

A vivid bright red-purple colour which is highly opaque and made of multiple pigments. The name magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy

• Colour Code: 501
• Series: 3
• Lightfastness Rating: Very Good
• Transparency: Opaque
• Pigment: PB15:3 • PV23 • PY74

An opaque deep green made of three pigments - phthalocyanine blue (blue green shade), dioxazine purple and arylide yellow.

• Colour Code: 505
• Series: 3
• Lightfastness Rating: Very Good
• Transparency: Opaque
• Pigment: PB15:3 • PV23 • PY74

An opaque soft, warm grey with red-purple tones, made with a blend of pigments - phthalocyanine blue (blue green shade), dioxazine purple and arylide yellow.

• Colour Code: 504
• Series: 3
• Lightfastness Rating: Very Good
• Transparency: Opaque
• Pigment: PO36 • PR122 • PV23

An opaque deep rose pink made with a blend of pigments - benzimidazolone orange, quinacridone red and dioxazine purple.

• Colour Code: 503
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB60 • PG7

An opaque deep green-blue colour made with indanthrone blue and phthalocyanine green (blue shade) pigments.

• Colour Code: 502
• Series: 3
• Lightfastness Rating: Very Good
• Transparency: Opaque
• Pigment: PB15:3 • PR206 • PV23

An opaque dark purple made with a blend of pigments - phthalocyanine blue (blue green shade), quinacridone red and quinacridone burnt scarlet.

• Colour Code: 292
• Series: 2
• Lightfastness Rating: Very Good
• Transparency: Semi Opaque
• Pigment: PR170

A mid blue-red single pigment colour, which is semi-transparent. Naphthol is a modern organic synthetic pigment developed in the early 20th century.

• Colour Code: 601
• Series: 2
• Lightfastness Rating: Not ATSM Rated
• Transparency: Opaque
• Pigment: PBr24 • PW6

An opaque pinkish-yellow, popular in the Renaissance. Its name comes from natural deposits found in Mount Vesuvius, Naples. Originally made with lead antimonite, Naples yellow is one of the oldest synthetic pigments known, dating from around 1620.

• Colour Code: 294
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Semi Opaque
• Pigment: PR9

A light warm red single pigment colour, which is semi-opaque. Naphthol is a modern synthetic organic pigment developed in the early 20th century.

• Colour Code: 599
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBk9 • PBr7 • PW6

A stable all-round opaque mid grey, made up of multiple pigments including iron oxide and titanium white.

• Colour Code: 436
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBK7 • PG7 • PW6 • PY42

An opaque off-white multi pigment colour named after the traditional scraped animal skin, used for writing for over two millennia. The word parchment evolved from the ancient Greek centre of parchment production, Pergamon.

• Colour Code: 310
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB29 • PBk9 • PV15

A dark blue grey made from a mixture of ultramarine, mars black and sometimes crimson. It was named after the 18th century water-colourist William Payne who created the mixture and often recommended it to his students as an alternative to plain black.

• Colour Code: 316
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PB15

An intense deep blue single pigment colour with a green undertone. It's made from the modern synthetic pigment phthalocyanine which was introduced in the 1930s and has a high tinting strength.

• Colour Code: 314
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PB15:6

A deep intense blue single pigment colour with a red undertone. It's made from the modern synthetic pigment phthalocyanine which was introduced in the 1930s and has a high tinting strength.

• Colour Code: 317
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PG7

A brilliant transparent green single pigment colour with a blue undertone. It's made from the modern synthetic pigment phthalocyanine which was introduced in the 1930s and has a high tinting strength.

• Colour Code: 319
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PG36

A brilliant transparent green single pigment colour with a yellow undertone. It's made from the modern synthetic pigment phthalocyanine which was introduced in the 1930s and has a high tinting strength.

• Colour Code: 391
• Series: 2
• Lightfastness Rating: Very Good
• Transparency: Transparent
• Pigment: PR122 • PV23

• Colour Code: 320
• Series: 2
• Lightfastness Rating: Very Good 
• Transparency: Semi Opaque
• Pigment: PB15:3 • PBK7 • PV23

A deep dark blue semi-opaque colour, that recreates the appearance of Prussian blue pigment. Prussian blue was the first known artificially manufactured colour and was made by the colourmaker Diesbach of Berlin in the early 1700s when experimenting with the oxidation of iron.

• Colour Code: 326
• Series: 4
• Lightfastness Rating: Not ATSM Rated
• Transparency: Opaque
• Pigment: PR264

A rich blue red, highly opaque single pigment colour. Pyrrole was first discovered in 1834 and its name comes from the Greek for reddish or fiery.

• Colour Code: 323
• Series: 4
• Lightfastness Rating: Not ATSM Rated
• Transparency: Semi Opaque
• Pigment: PO73

A bright warm orange, semi-opaque single pigment colour. It is a clean mid-orange which mixes well with other colours. Pyrrole was first discovered in 1834 and its name comes from the Greek for reddish or fiery.

• Colour Code: 321
• Series: 4
• Lightfastness Rating: Excellent
• Transparency: Opaque

A bright warm red, highly opaque single pigment colour. It is a clean red which mixes well with other colours. Pyrrole was first discovered in 1834 and its name comes from the Greek for reddish or fiery.

• Colour Code: 118
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PV19

A rich blue-violet single pigment colour, which is clean, strong and transparent. Quinacridone is a high performance organic pigment with exceptional longevity.

• Colour Code: 108
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PR206

A deep brownish-orange single pigment, which gives a clean and strong transparent colour. Quinacridone is a high performance organic pigment with exceptional longevity.

• Colour Code: 110
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PV19

A transparent single pigment red with a blue undertone. Quinacridone is a high performance organic pigment with exceptional longevity.

• Colour Code: 114
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PR122

A rich deep violet-red single pigment colour, which is highly transparent. Quinacridone is a high performance organic pigment with exceptional longevity. The name magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.

• Colour Code: 112
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PR209

A vivid mid-red single pigment colour which is highly transparent. Quinacridone is a high performance organic pigment with exceptional longevity.

• Colour Code: 109
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Transparent

A transparent deep red with orange tones. Quinacridone is a high performance organic pigment with exceptional longevity.

• Colour Code: 327
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PBr7

A bright brown earth colour with a yellow undertone and high opacity. Raw sienna is one of the oldest pigments in its natural state and can be found in prehistoric cave art. It is named after Siena, Italy where the pigment was sourced during the Renaissance.

• Colour Code: 331
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBr7

An intensely rich dark brown single pigment colour, with a high opacity. Raw umber is made from natural brown clays found in the earth and is named after Umbria, a region in Italy where it was first mined.

• Colour Code: 335
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PR101

An opaque, soft rust red single pigment colour. An earth pigment, it is an oxide of iron and one of the oldest colours used by mankind.

• Colour Code: 315
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PB15:3 • PBk11 • PY139

A rich mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe buckthorn berries.

• Colour Code: 432
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PW6

A brilliant white single pigment colour, which offers the strongest, most opaque of all whites. Titanium white is an inorganic pigment introduced in the early 1900s from titanium dioxide and is named after Titan. It's still the world's primary pigment for whiteness, brightness and opacity.

• Colour Code: 129
• Series: 3
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PR101

A sheer orange brown single pigment colour made by burning raw sienna. Sienna is a natural yellow clay found in the earth, which is rich in iron oxide and deepens in colour when heated. Named after Siena in Italy, where the pigment was originally sourced, this is a transparent colour with red-brown tones.

• Colour Code: 130
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PBk11 • PR101 • PY42

A rich dark brown single pigment colour. Burnt umber is made from natural brown clays found in the earth and is named after Umbria, a region in Italy where it was first mined. Burning the raw pigment intensifies its colour.

• Colour Code: 430
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PW4

A zinc oxide-based transparent white with reducing tinting strength, making it ideal for strong tints, glazing, and toning down colours.

• Colour Code: 327
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PY42

A bright brown single pigment earth colour with a yellow undertone and high opacity. Raw sienna is one of the oldest pigments in its natural state and can be found in prehistoric cave art. It is named after Siena, Italy where the pigment was sourced during the Renaissance

• Colour Code: 333
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PBk11 • PR101 • PY42

A sheer dark brown colour. Raw umber is made from natural brown clays found in the earth and is named after Umbria, a region in Italy where it was first mined.

• Colour Code: 327
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PG7

A bright, deep green single pigment hue with a bluish tinge. Highly transparent, this recreates the true viridian pigment and is a good colour for glazing. The original pigment was patented by Guignet of Paris in 1859 and was used by 20th century masters including Van Gogh, Kandinsky and Klee.

• Colour Code: 680
• Series: 1
• Lightfastness Rating: Very Good
• Transparency: Semi-Opaque
• Pigment: PY3 • PY42

A warm, semi-opaque yellow with brown tones, this is a recreation of a historical colour patented by William Turner in 1781.

• Colour Code: 380
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PB29

A single pigment rich transparent blue with green undertones. Allegedly named because it was thought 'bluer than the sea', ultramarine was originally made from semi-precious lapis lazuli. The current pigment was created by French chemist Guimet in 1828 as a synthetic, but chemically-identical alternative.

• Colour Code: 382
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PB29

A single pigment rich transparent blue with red undertones. Allegedly named because it was thought 'bluer than the sea', ultramarine was originally made from semi-precious lapis lazuli. The current pigment was created by French chemist Guimet in 1828 as a synthetic, but chemically-identical alternative.

• Colour Code: 434
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBk11 • PR101 • PW6 • PY42

An opaque, warm creamy white containing a blend of pigments. The shade originated in the 1960s as the result of a manufacturing error when making titanium white paint.

• Colour Code: 398
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PBr7 • PG7

A deep, cold blue-green multi pigment hue. Highly opaque, this recreates the true viridian pigment which was patented by Guignet of Paris in 1859 and celebrated for its excellent permanence. Viridian was used by 20th century masters including Van Gogh, Kandinsky and Klee.

• Colour Code: 224
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Semi Opaque
• Pigment: PG7 • PW6 • PY97

A light and vivid yellow-green opaque colour, made up of a blend of pigments including phthalocyanine.

• Colour Code: 620
• Series: 3
• Lightfastness Rating: Not ATSM Rated
• Transparency: Transparent 
• Pigment: PO73 • PY139

A soft light orange colour with a warm red tint, and a high transparency level.

• Colour Code: 411
• Series: 1
• Lightfastness Rating: Very Good
• Transparency: Transparent
• Pigment: PY3

This is a single pigment arylide yellow, first introduced in 1928 by the German company Hoechst. Hansa is the original trade name that the company gave its arylide yellows when they were launched.

• Colour Code: 412
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Semi Opaque
• Pigment: PY74

A single pigment semi-opaque warm yellow with a reddish tint. The azo pigment is a synthetic organic originally developed by the German Hoechst company in the early 1900s and first became popular as a textile dye.

• Colour Code: 414
• Series: 2
• Lightfastness Rating: Excellent
• Transparency: Transparent
• Pigment: PY83

A single pigment transparent warm yellow-orange. The azo pigment is a synthetic organic originally developed by the German Hoechst company in the early 1900s and first became popular as a textile dye.

• Colour Code: 416
• Series: 1
• Lightfastness Rating: Excellent
• Transparency: Opaque
• Pigment: PY42

A soft warm brownish yellow single pigment colour. An earth pigment, it is one of the oldest colours used by mankind and is extremely permanent.