Liquitex Acrylic Gouache 59ml Bottles

• Colour Code: 660
• Series: 1 
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:3 • PG7 • PW6

An opaque vivid green-blue colour made with a mix of phthalocyanine blue, titanium white and phthalocyanine green (blue shade).

• Colour Code: 590
• Series: 1
• Lightfastness: Very Good
• Opacity: Opaque
• Pigment: PV23 • PW6

A blue-purple made up of two pigments - dioxazine and titanium white.

• Colour Code: 127
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBr7 • PR101

A rich warm brown made by burning raw sienna. Sienna is a natural yellow clay found in the earth and deepens in colour when heated. It's one of the oldest pigments in its natural state and can be found in prehistoric cave art. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a opaque colour with red-brown tones.

• Colour Code: 128
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBr7 • PW6 • PY184

A rich dark brown colour. Burnt umber is made from natural brown clays found in the earth and is named after Umbria, a region in Italy where it was first mined. Burning the raw pigment intensifies its colour.

• Colour Code: 892
• Series: 2
• Lightfastness: Excellent
• Opacity: Opaque

A cadmium-free opaque yellow-orange with high tinting strength and good covering abilities. This replicates the brightness, coverage and intensity of traditional Cadmium Orange.

• Colour Code: 895
• Series: 2
• Lightfastness: Very Good
• Opacity: Opaque

A cadmium-free opaque deep blue-red with high tinting strength. This replicates the brightness, coverage and intensity of traditional cadmium red colours.

• Colour Code: 893
• Series: 2
• Lightfastness: Excellent
• Opacity: Opaque

A cadmium-free opaque light red with orange tones and a high tinting strength. This replicates the brightness, coverage and intensity of traditional Cadmium Red Light.

• Colour Code: 894
• Series: 2
• Lightfastness: Excellent
• Opacity: Opaque

A cadmium-free opaque mid red-orange with high tinting strength. This replicates the brightness, coverage and intensity of traditional Cadmium Red Medium.

• Colour Code: 891
• Series: 2
• Lightfastness: Excellent
• Opacity: Opaque

A cadmium-free deep yellow opaque colour with orange tones and excellent tinting properties. This replicates the brightness, coverage and intensity of the traditional cadmium alternative.

• Colour Code: 889
• Series: 2
• Lightfastness: Excellent
• Opacity: Semi Opaque

A cadmium-free bright yellow semi-opaque colour with excellent tinting properties. This replicates the brightness, coverage and intensity of the traditional cadmium alternative.

• Colour Code: 890
• Series: 2
• Lightfastness: Excellent
• Opacity: Semi Opaque

A cadmium-free bright yellow semi-opaque colour with excellent tinting properties. This replicates the brightness, coverage and intensity of the traditional cadmium alternative.

• Colour Code: 470
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:3 • PB29 • PG7 • PW6

This is a rich blue opaque colour with green undertones. Its name derives from the Latin caeruleum meaning sky-blue pigment, and is a careful combination of pigments closely resembling genuine cerulean blue.

• Colour Code: 186
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PV23

A vivid mid-shade purple which is highly opaque. It is made from a coal tar pigment and when undiluted, can be used as a deep black.

• Colour Code: 450
• Series: 2
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PG7 • PY184

A vibrant green-blue opaque colour. This recreates the true gem pigment which was popular with artists including Picasso, but phased out due to safety issues in the second half of the twentieth century.

• Colour Code: 985
• Series: 2
• Lightfastness: Not ASTM rated
• Opacity: Semi Opaque

A vivid mid range green made with polymer coated dyes to give instant fluorescence.

• Colour Code: 987
• Series: 2
• Lightfastness: Not ASTM rated
• Opacity: Semi Opaque

A vivid mid range pink made with polymer coated dyes to give instant fluorescence.

• Colour Code: 982
• Series: 2
• Lightfastness: Not ASTM rated
• Opacity: Transparent Semi Opaque

A vivid mid range orange made with polymer coated dyes to give instant fluorescence.

• Colour Code: 983
• Series: 2
• Lightfastness: Not ASTM rated
• Opacity: Semi Opaque

A vivid mid range red colour made with polymer coated dyes to give instant fluorescence.

• Colour Code: 986
• Series: 2
• Lightfastness: Not ASTM rated
• Opacity: Transparent Semi Opaque
• Pigment: Fluorescent BV16

A vivid mid range purple colour made with polymer coated dyes to give instant fluorescence.

• Colour Code: 981
• Series: 2
• Lightfastness: Not ASTM rated
• Opacity: Semi Opaque

A vivid mid range yellow colour made with polymer coated dyes to give instant fluorescence.

• Colour Code: 224
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PG7 • PY83

A rich dark green opaque colour with a yellow tint. A mixed pigment hue, the original Hooker's green pigment was created by 19th century English botanist and illustrator William J Hooker.

• Colour Code: 234
• Series: 1
• Lightfastness: Excellent
• Opacity: Semi Opaque
• Pigment: Mica Gold Pigment

A metallic brilliant gold. Semi-opaque, the colour gives a bright iridescent lustre resembling that of polished gold metal.

• Colour Code: 236
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: Mica Silver pigment • PBK7

A brilliant metallic silver. Highly opaque, the colour has a gleaming reflective lustre closely resembling polished silver metal.

• Colour Code: 244
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBk9

A stable all-round single pigment black with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining the pigment: roasting ivory. This was a favorite colour of many of the Old Masters including Rembrandt.

• Colour Code: 770
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:3 • PG7 • PW6

An opaque light blue colour made with a mix of phthalocyanine pigments and titanium white.

• Colour Code: 810
• Series: 1
• Lightfastness: Very Good
• Opacity: Opaque
• Pigment: PO73 • PW6 • PY83

A pale and soft pink with a yellow tinge. This is an opaque colour made up of multiple pigments. Note: You may receive product with the previous colour name, Light Portrait Pink, on the packaging as inventory shifts. The formulation of the colour remains the same.

• Colour Code: 276
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBk11

A dense opaque single pigment, with a brown undertone. It is made from mineral iron oxide and is named after the alchemical name for iron: Mars.

• Colour Code: 500
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PR122 • PW6

A vivid bright red-purple colour which is highly opaque and made of multiple pigments. The name magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.

• Colour Code: 599
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBk9 • PBr7 • PW6

A stable all-round opaque mid grey, made up of multiple pigments including iron oxide and titanium white.

• Colour Code: 600
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBk9 • PBr7 • PW6 • PW7

A stable, opaque pale grey, made up of multiple pigments including high levels of titanium white to create a lighter tint.

• Colour Code: 259
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PO73 • PW6 • PY74

A multi pigment, soft pink-orange which gives high opacity coverage.

• Colour Code: 316
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:3

An intense deep blue single pigment colour with a green undertone. It's made from the modern synthetic pigment phthalocyanine which was introduced in the 1930s and has a high tinting strength.

• Colour Code: 420
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:1

A single pigment, highly opaque primary colour made from phthalocyanine blue red shade. This offers excellent clean colour mixes and is useful for colour theory.

• Colour Code: 415
• Series: 1 2
• Lightfastness: Very Good
• Opacity: Semi Opaque
• Pigment: PV19

A single pigment, semi-opaque primary colour made from quinacridone violet. This offers excellent clean colour mixes and is useful for colour theory.

• Colour Code: 410
• Series: 1
• Lightfastness: Excellent
• Opacity: Semi Opaque
• Pigment: PY74

A single pigment, semi-opaque primary colour made from arylide yellow. This offers excellent clean colour mixes and is useful for colour theory.

• Colour Code: 391
• Series: 2
• Lightfastness: Excellent
• Opacity: Semi Opaque
• Pigment: PR122 • PV23 • PW6

A deep purple multi pigment colour with brown undertones. This is a semi-opaque colour, named after the refraction caused by light passing through a prism.

• Colour Code: 320
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:3 • PBk11 • PV23

A deep dark blue opaque colour, that recreates the appearance of Prussian blue pigment. Prussian blue was the first known artificially manufactured colour and was made by the colourmaker Diesbach of Berlin in the early 1700s when experimenting with the oxidation of iron.

• Colour Code: 114
• Series: 2
• Lightfastness: Excellent
• Opacity: Semi Opaque
• Pigment: PR122

A rich deep violet-red single pigment colour, which is semi-opaque. Quinacridone is a high performance organic pigment with exceptional longevity. The name magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.

• Colour Code: 330
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBr7 • PW6 • PY184 • PY42

A bright brown earth colour with a yellow undertone and high opacity. Raw sienna is one of the oldest pigments in its natural state and can be found in prehistoric cave art. It is named after Siena, Italy where the pigment was sourced during the Renaissance.

• Colour Code: 331
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBr7 • PW6 • PY184

An intensely rich dark brown multi-pigment colour, with a high opacity. Raw umber is made from natural brown clays found in the earth and is named after Umbria, a region in Italy where it was first mined.

• Colour Code: 335
• Series: 1 
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PR101 • PY42

An opaque, soft rust red colour. An earth pigment, it is an oxide of iron and one of the oldest colours used by mankind.

• Colour Code: 905
• Series: 2
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PO73 • PR112 • PW6

An opaque, vivid orange-red made with multiple pigments.

• Colour Code: 279
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:3 • PG7 • PW6

A vivid mid blue multi pigment colour with a high level of opacity.

• Colour Code: 432
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PW6

A brilliant white single pigment colour, which offers the strongest, most opaque of all whites. Titanium white is an inorganic pigment introduced in the early 1900s from titanium dioxide and is named after Titan. It's still the world's primary pigment for whiteness, brightness and opacity.

• Colour Code: 561
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:3 • PG7 • PW6

An opaque blue-green multi-pigment colour named after the semi-precious stone that was exported to Europe from Persia via Turkey.

• Colour Code: 382
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB29

A single pigment rich opaque blue with red undertones. Allegedly named because it was thought 'bluer than the sea', ultramarine was originally made from semi-precious lapis lazuli. The current pigment was created by French chemist Guimet in 1828 as a synthetic, but chemically-identical alternative.

• Colour Code: 434
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PBk11 • PR101 • PW6 • PY42

An opaque, warm creamy white containing a blend of pigments. The shade originated in the 1960s as the result of a manufacturing error when making titanium white paint.

• Colour Code: 398
• Series: 2
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PB15:3 • PY184

A deep, cold blue-green multi pigment hue. Highly opaque, this recreates the true viridian pigment which was patented by Guignet of Paris in 1859 and celebrated for its excellent permanence. Viridian was used by 20th century masters including Van Gogh, Kandinsky and Klee.

• Colour Code: 740
• Series: 2
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PG7 • PW6 • PY184

A light and vivid yellow-green opaque colour, made up of a blend of pigments including phthalocyanine.

• Colour Code: 416
• Series: 1
• Lightfastness: Excellent
• Opacity: Opaque
• Pigment: PW6 • PY42

A soft warm brownish yellow opaque colour. An earth pigment, it is one of the oldest colours used by mankind and is extremely permanent.