How To…Mix Realistic Greens From The Greens In Your Watercolour Palette
One of the main difficulties watercolour beginners have is being able to mix a realistic green. The usual way to mix green is to combine different primary colours like blue and yellow. To do this you need to have some understanding of colour theory to ascertain which colours are warm and which are cool. This can be overwhelming for a beginner so in this article I share another way to mix convincing greens.
Base greens are included in most watercolour palettes
Most entry level watercolour palettes helpfully include one or two greens; Viridian, Hookers Green & Sap Green. Used straight from the pan or out of the tube they can often seem artificial. Often too bright or it does not replicate what is in front of you. In this article I will show you how to mix more realistic greens using the green in your palette (the base green) plus one other colour from your palette.
Materials Needed:
- Watercolor paints either as pans in a palette or separate tubes. I have used Winsor & Newton Professional Watercolour but I recommend Rosa or Cotman as great beginners paint.
- Watercolor paper
- Brushes
- Palette
- Water
Mixing with Viridian
So, first off I have taken Viridian Green a beautiful, transparent green pigment with a bluish tone. Viridian on its own looks unnatural but when mixed with yellows, oranges, or reds it produces an impressive range of natural greens. On the left of the image above I have swatched out Viridian, my base green. On the right of the image I have swatched out another commonly included colour from a beginners watercolour palette. In the middle of the two swatches is the new green mixed from Viridian and the other colour.
Evergreen: Viridian + Alizarin Crimson. Reduce the amount of water you are using in the mix to get a more intense version. An almost grey colour can be mixed by using slightly more green than red in the mix.
Mid Green: Viridian + Raw Umber or Yellow Ochre
Bright Spring Green: Viridian + Lemon Yellow
Muted Earth Green: Viridian + Burnt Sienna
Earthy Moss Green: Viridian + Cadmium Scarlet (or Cadmium Red Light, Cadmium Red Pale or Cadmium Orange)
Additional mixes to try;
Forest Green: Viridian + Ultramarine Blue
Teal Green: Viridian + Phthalo Blue
Mixing with Hookers Green
Hookers Green is named after the 19th-century botanical artist William Jackson Hooker (1785–1865). Hooker was an esteemed British botanist and botanical illustrator. Although he did not create the pigment himself, the color was named in his honor due to his significant contributions to botanical art and illustration, which required a reliable green pigment for accurately depicting plant life. As a result Hooker’s Green is a versatile and commonly used green in watercolor palettes. It provides a good starting point for mixing a variety of green shades. Here’s how you can mix greens using Hooker’s Green to create different tones and shades:
Olive Green: Hooker’s Green + Alizarin Crimson
Bright Spring Green: Hooker’s Green + Lemon Yellow
Deep Forest Green: Hooker’s Green + Indigo (or Ultramarine Blue)
Additional mixes to try;
Mossy Green: Hooker’s Green + Yellow Ochre
Muted Grey-Green: Hooker’s Green + a touch of Payne’s Grey
Mixing with Sap Green
Sap Green is a popular, versatile green in watercolor palettes known for its natural, warm tone. It’s a popular choice amongst artists as a convenient go to green and a great starting point for mixing a range of other greens.
Mossy Green: Sap Green + Yellow Ochre
Olive Green: Sap Green + Rose Madder (or Alizarin Crimson)
Forest Green: Sap Green + Indigo (or French Ultramarine )
Additional mixes to try;
Bright Spring Green: Sap Green + Lemon Yellow
Teal Green: Sap Green + Phthalo Blue
Muted Earth Green: Sap Green + Burnt Sienna
Sap Green is a staining colour, this means that it leaves a green residue on the paper when colour is lifted out. So you are able to use this to your advantage by mixing Sap Green & French Ultramarine and then lifting the colour out. On the image above I have lifted out with a palette knife on the left whilst the wash was still damp. On the right, I used a damp brush to lift out the colour when the wash was dry.
In summary to adjust greens:
Lighten: Add more yellow to make the green lighter and more vibrant
Darken: Add more blue to make the green darker
Tone down or neutralise: Add a bit of red or another complementary colour (Pinks & Oranges) to make natural, muted greens
Other ways to alter your greens are to play with the transparency of your paint by adding more water or less water to your mixture. Add more water to dilute it and make it lighter, or reduce the amount of water in your mix to make a more intense colour. Another option is to use granulating colours like French Ultramarine as this will add texture and interest to your greens.
Mixing colours on your palette rather than directly on the paper will give you more control over the shade of green. So when you find a mix you like it is wise to mix a big batch. This ensures that the same shade is applied throughout your painting rather than running out half way through.
Finally, it’s all about practice! Test your new found skills by observing trees, leaves and the landscape and practice mixing greens to match. You might find it useful too to create a quick reference colour chart with different mixes of your greens mixed with other colours. Hopefully this article will help you gain confidence in mixing a wide range of realistic greens to include in your paintings – Good Luck!
Want to learn more about colour theory?
Check out some of our other colour mixing articles:
I have been using watercolours for years and still have trouble with greens. Your article is extremely useful and has helped me obtain the greens I need.
Excellent artical on mixing greens I have made notes in my sketch book as this info will prove very useful
Very helpful article. I would mention that I’ve noticed that Hookers green and Sap green can be made using different mixes using more than two pigments depending on manufacturer. The best one I’ve found is Winsor & Newton as they use just two pigments, PY110 a deep yellow and PG36 a yellow shade green.
Thank you. Such an interesting and useful article. I knew most of it – sort of – but this article lays it out so clearly, and gives me a lot more confidence as I learn how to paint.
Thank you Janet, I’m glad you found the post helpful in mixing lots of nice greens!